Kata’s

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NORTHERN KATA’S

The northern kata stems from the Shuri-te tradition of karate, and are drawn from Shotokan karate which Oyama learned while training under Gichin Funakoshi. Some areas now phase out the prefix “sono” in the kata names.

The Taikyoku kata: Were originally created by Gichin Funakoshi, founder of Shotokan karate.

The 5 Pinan katas: Known in some other styles as Heian, were originally created in 1904 by Ankō Itosu, a master of Shuri-te and Shorin ryu (a combination of the shuri-te and tomari-te traditions of karate). He was a teacher to Gichin Funakoshi. Pinan (pronounced /pin-ann/) literally translates as Peace and Harmony.

Kanku Dai kata: Some organizations have removed the “Dai” from the name, calling it only “Kanku”, as there is no “Sho” or other alternate Kanku variation practiced in kyokushin. The Kanku kata was originally known as Kusanku or Kushanku, and is believed to have either been taught by, or inspired by, a Chinese martialartist who was sent to Okinawa as an ambassador in the Ryukyu Kingdom during the 16th century. Kanku translates to “sky watching”.

Sushiho kata: The Kata Sushiho is a greatly modified version of the old Okinawian kata that in Shotokan is known as Gojushiho, and in some other styles as Useishi. The name means “54 steps”, referring to a symbolic number in Buddhism.

Bassai-dai kata: A very old Okinawian kata of unknown origin, the name Bassai or Passai translates to “to storm a castle”. It was originally removed from the kyokushin syllabus in the late 1950s, but was reintroduced into some kyokushin factions after Oyama’s death and the resulting fractioning of the organization.

Naihanchi kata: This kata is a very old Okinawian kata, also known as Tekki in Shotokan. It is generally classified as belonging to the Tomari-te traditions. The name Tekki translates to “iron horse” but the meaning of the name Naihanchi is “internal divided conflict”. It was originally removed from the kyokushin syllabus in the late 1950s, but was reintroduced into some kyokushin factions after Oyama’s death and the resulting fractioning of the organization.

 

UNIQUE AND SPECIAL KATA’S

Soguki kata’s (unique): These three kata were created by Oyama to further develop kicking skills and follow the same embu-sen (performance line) as the original Taikyoku kata. Sokugi Taikyoku (pronounced /sock-gee, ty-key-yok/) literally means Kicking Taikyoku. Taikyoku translates as Grand Ultimate View. They were not formally introduced into the Kyokushin syllabus until after the death of Masutatsu Oyama. They are now found in most kyokushin factions.

Garyu kata (unique): The kata Garyu, is not taken from traditional Okinawan karate but was created by Oyama and named after his pen name (Garyu =reclining dragon), which is the Japanese pronunciation of the characters 臥龍, the name of the village (Il Loong) in Korea where he was born.

Ura Kata: Several kata are also done in “ura”, which essentially means all turns are done spinning around. The URA, or ‘reverse’ kata were developed by Oyama as an aid to developing balance and skill in circular techniques against multiple opponents.

SOUTHERN KATA’S

The southern kata stems from the Naha-te tradition of karate, and are drawn from Goju Ryu karate, which Oyama learned while training under So Nei Chu and Gogen Yamaguchi Two exceptions are “Tsuki no kata” which was created by Tadashi Nakamura of Seido (originally Kyokushin), and the kata “Yantsu” which possibly originates with Motobu-ha Shito ryu, where it is called “Hansan” or “Ansan” – there is much debate about the origin of Yantsu.

Gekai kata’s: The southern kata stems from the Naha-te tradition of karate, and are drawn from Goju Ryu karate, which Oyama learned while training under So Nei Chu and Gogen Yamaguchi.[citation needed] Two exceptions are “Tsuki no kata” which was created by Tadashi Nakamura of Seido (originally Kyokushin), and the kata “Yantsu” which possibly originates with Motobu-ha Shito ryu, where it is called “Hansan” or “Ansan” – there is much debate about the origin of Yantsu.Gekisai was created by Chojun Miyagi, founder of Goju Ryu karate. The name means “attack and smash”

Tensho kata: Is one of the older, more fundamental katas. Its origins are based on the point and circle principles of Kempo. It was heavily influenced by the late by Chojun Miyagi and was regarded as an internal yet advanced Kata by Oyama. The name means “rotating palms” and is regarded as the connection between the old and modern Karate.

Sanchin kata: Is a very old kata with roots in China. The name translates to “three points” or “three battles”. The version done in kyokushin is most closely related to the version Kanryo Higashionna (or Higaonna), teacher of Chojun Miyagi, taught (and not to the modified version taught by Chojun Miyagi himself).

Saifa (Saiha) kata: Originally a Chinese kata. It was brought to Okinawa and karate by Kanryo Higshionna. Its name translates to “smash and tear down”.

Seienchin: Originally a Chinese kata, regarded as very old. It was brought to Okinawa and karate by Kanryo Higshionna. The name translates roughly to “grip and pull into battle”.

Seipai kata: Originally a Chinese kata. It was brought to Okinawa and karate by Kanryo Higshionna. The name translates to the number 18, which is significant in Buddhism.

Yantsu kata: Originates with Motobu-ha Shitoryu, the name translates to “keep pure”

Tsuki no kata: This kata was created by Seigo Tada, founder of the Seigokan branch of Goju-Ryu. In Seigokan goju-ryu the kata is known as Kihon Tsuki no kata and is one of two Katas created by the founder. How the kata was introduced into Kyokushin is largely unknown, but since Tadashi Nakamura are often claimed in error as the creator of the kata in Kyokushin, speculations are that he introduced it into Kyokushin after learning it from his Goju-ryu background.

 

Bron: Youtube en Wikipedia